Who wants motivation, plausibility and character development? The answer nobody! Ensure your character is as bland as humanely possible. Why change the format when it worked for Saw IV, V and VI. If you are worried that it does, then provide meaningless flashbacks. Ensure your plot is convoluted and does not make sense in the slightest. If Bobby is to make it to the end and save his wife, he will have to push himself to the limit. Whilst Hoffman is out to kill Jill he has to contend with setting up another set of traps for the lying Bobby Dagen and his friends. Jill's attempt to kill him backfired when he found a way out of his supposedly inescapable trap. But first the plot if you can call it a plot.ĭetective Hoffman is still alive. Reviewed by rjsf96 3 / 10 How to Kill a Franchise for Good (A Step-By-Step Guide)įor this review I am going to provide a guide as to how you can ensure that a franchise will never continue. Meanwhile, the prominent Jigsaw survivor and leader of a support group Bobby Dagen is abducted with his wife and friends and forced to play a mortal game to save not only his wife, but three of his colleagues as well. However he escapes and Jill meets Gibson and offers to sign an affidavit listing the murders committed by Hoffman.
Detective Matt Gibson chases the psychotic Detective Mark Hoffman while Jigsaw's widow Jill Tuck tries to kill him as assigned by her husband.
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