Meanwhile, complications arise with Aaron Kaloor (Riz Ahmed), the Silicon Valley king of a Facebook-like entity called Deep Dream, refusing to cooperate with the CIA when they want to compromise his 1.5 billion following by breaking encryption codes for key information.
Things quickly go awry on that front, and soon Bourne is off on his own, outrunning his pursuers even if the years have changed him in many ways. This sets the action in motion, especially when the determined Dewey engages a lethal hitman called the Asset (Vincent Cassel) to track them down with the idea of eliminating Bourne once and for all to avoid any embarrassing and dangerous recollections he may be able to spill. Working at a large Mission Control-type center, Nicky and boss Robert Dewey ( Tommy Lee Jones) can chart her steps like they are watching a TV show. She plans to expose it on a Wikileaks-style operation, but the CIA, especially new analyst Heather Lee (Oscar winner Alicia Vikander), is on to her and suspects new trouble. Into his life once again comes Nicky Parsons (Julia Stiles), who has hacked some sensitive top-secret files that also hold some clues to Bourne’s own identity and his father (Gregg Henry in brief flashbacks). Plot-wise, we learn that Jason Bourne has been hanging out in Greece after years in hiding, punching away in local prize fights. Pace is everything, and that includes a dizzying storyline right in with the cyber nature of today’s world. Film editors don’t always get these kinds of promotions, but it makes perfect sense for this frenetic and nonstop-action series. Ĭhristopher Rouse, the Oscar-winning editor of Bourne Ultimatum, returns and also co-wrote the screenplay with Greengrass as well as becoming an executive producer of the franchise that started with author Robert Ludlum’s creation. Paul Greengrass On Setting Up Jason Bourne For More Sequels, Jimi Hendrix.
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